Deborah Pegg (nee Deborah Scragg)

Film and TV Lawyer

From a background in the media industry (having worked in PR, television production and post-production), Deborah began her legal career as a paralegal in the Film & Television of Top Tier London west-end law firm Davenport Lyons, training and qualifying as a solicitor in 2008, into their Film & TV dept.

Deborah’s experience includes acting for numerous Film and TV producers, banks and equity financiers in relation to the production and financing of a wide variety of film and television projects.

Deborah has also worked in-house for a well-known media investment group, a world-renowned theme park group for an independent production company.

Deborah’s practice is wide-ranging and includes all aspects of business law (corporate, commercial and employment) and specific media expertise in intellectual property (chain of title/underlying rights), development, production, film finance/funding and sales agency/distribution agreements.

Voted ‘Best Supporting Lawyer” by The Times newspaper in 2011, for her legal services on ‘We Need To Talk About Kevin”.

Deborah started working with Reviewed and Cleared in July 2023.

Chain Of Title
At some point in the life of your film or television project – usually when it comes time for delivery of the project and also when you are sorting out your errors and omissions insurance (E&O) but also as a vital component in seeking finance/investment in your project – you may be asked by your financiers, sales agent, distributors and/or insurers for a chain of title opinion and/or a chain of title affidavit.

But what are they? R&C’s Deborah Pegg has the lowdown. Read Deborah’s article here.

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